2007 Re-Mixed

In 2007 the viral video stars spawned their own wave of counter-memes, proving once again that the internet moves in mysterious ways.

Even Barack Obama ultimately acknowledged "the fertile imagination of the internet," as his fan's cranked out homegrown music videos from a mysterious swamp of unseen creativity.

But as 2007 escapes into a haze of champagne, these videos offer a helpful warning to any future YouTube stars. When you make yourself look ridiculous — it's only the beginning.

1. Ottoman-Humping Gigolos



"Pipelayer" and his boyz — Relentless, X2C, Pressure, and Satisfaktion — show the ladies their technique. But it took internet joker Neuracnu to add Benny Hill's Yakkity Sax.

"Despite the video's description and my big-pasty-white-guy user icon," Neuracnu told us today, "I still get private messages like:

that video was funny please make a notherone and
me @my sister and give it to us. we are 18


His parody also provoked an angry email. ("Ok we Gone kill yo ass...... Ha ha Bitch ass nigga u dont know what u got yo self into....") Which, of course, ended up in another YouTube video.



Eventually even Jon Stewart got involved, noting the Department of Defense had banned all YouTube videos and MySpace pages from being viewed by soldiers. "If there's one thing we don't want our fighting boys exposed to, it's guys their age with enough time on their hands to film themselves doing this.

"Ottoman-humping gigolos! You're ruining troop morale!


2. Two Girls, One Frog



Some videos become famous for being awful, like the notorious "Two Girls, One Cup." Its somber music and surprise scat-eating scene spawned its own viral video meme — footage of horrified reactions from people watching it.

Everyone got into the act, including Opie and Anthony, and even a web site called BestReactions.com. Over two dozen clips appeared on YouTube — someone's mom, four grandmothers, and even two people who appeared to be police officers.



Even after it found its way to Kermit the Frog, that wasn't the end. One follow-up video showed Kermit himself couldn't resist foisting its horrific surprises on his other muppet friends.


3. Snakes on a Chocolate Rain



Tay Zonday's deep voice and pretentious keyboards inspired imaginative re-mixes of his song "Chocolate Rain."

Tay was glad it received attention from John Mayer and Green Day's Tre Cool. But its hard message became hilarious when the singer was replaced by a ventriloquist dummy, Darth Vader, or McGruff the Crime Dog (who, like Tay, also "moves away from the mic to breathe in.")



In November Tay teamed with rapper Mista Johnson and Dr. Pepper for a new video, randomly titled Cherry Chocolate Rain. "This is the web, and it's gonna murder your TV," Tay warns, though he'd just stumbled inadvertently into the next "Snakes on a Plane" — another internet meme that proved impossible to commercialize.



4. Fox News 11 Meet Anonymous



Fox News 11 imagined a "gang" of computer "hackers" who attack "like an internet hate machine" in a sensationalistic story that echoed through countless video parodies. A local L.A. newscaster borrowed half-understood words (like "Epic Lulz") and after one victim used the word "terrorist" in a sentence, even helpfully spliced in a picture of an exploding van.

It took YouTube user "Fluffbrain" to create an appropriately irreverent video celebrating the clip's safety-conscious housewife, who not only bought a security system, but also...a dog. (Then the video segues to cameo appearances by LOL Cats.)

The crimes of "Anonymous" were, at worst, hoax threats, along with minor annoyances like guessing MySpace passwords, crank phone calls, disrupting the children's game Habbo Hotel, and shouting out the end of the new Harry Potter book. (Ironically, when Fox 11 ran a poll on their web site asking visitors if they'd ever been a victim of computer crime, a whopping 97% said "no.")

Eventually Encyclopedia Dramatica unveiled their own equally unsubstantiated act of journalism, arguing that Anonymous "is in fact, a single twelve year-old boy named Tom who has over 9000 fake AIM accounts and single-handedly makes every single post on the 4chan website. No one knows why..." And the parody videos kept coming.



Fox finally received an authoritative rebuttal from "Lord Quadros," another YouTube user who abandoned Fox's melodramatic music altogether, and simply replaced it with footage from the video game Arsenal Gear.


5. "Don't Tase Me, AOL"



The year ended with marketers hungrily eying the success of viral videos, while Hollywood's writers went on strike for a slice of future web revenues. And then AOL News decided to exploit it all.

They rolled parody versions of famous video stars into their own viral web commercial. The world's unluckiest shopkeeper confronts Florida's tased university student, Miss South Carolina, and that emo vlogger who cried "LEAVE BRITNEY ALONE!!!"

If you actually visit AOL News, you'll find the real end-of-the-year headlines are a lot less entertaining. (For example, "Pakistan's Bhutto Assassinated at Rally.")

But maybe that's why people turned to the web.

See Also:
10 Video Moments From 2006
Worst Vlogs of 2006
Web Fight: Wikipedia, YouTube vs. Perverted Justice
YouTube, the 20-Year-Old, and Date Unknown
Five Freakiest Muppet Videos

Miracles

Real-life miracles were the subject of Van Jones' keynote address at the Craigslist Foundation's "Nonprofit Boot Camp" last year.

He amused and inspired his audience with the story of his early days at the Ella Baker Center for Human Rights.


There's probably at least one person, and maybe more than one, who feels like their little not-for-profit just may not make it.

There may be somebody that feels like their cause is too marginal, their constituency is too desperate, their dreams are too big, their knowledge base is too small, and they just don't know if they're going to be able to pull this one off. If you're that person, I want to tell you a little bit about my story, my secret rules for success if you're doing tough things, and to remind you how important it is that you stick this out.



Ten years ago, all I had with my co-founder was a $10,000 grant and a scribble in my notebook, and we had a dream. We wanted to do something about police brutality. We wanted to do something about kids suffering in prison. We wanted to do something about the level of violence that was going on in our community. All we had was each other and that idea.

The very first champion that we got — the first person who was on our side, the chair of our advisory board who was our hero — told us "Frankly, man, you will never raise enough money to cover your own salary on this. I think you're great, I like what you're doing, but you will never raise enough money to actually have a full staff. But I like you, I like what you're doing, and I'm willing to lend my name." And that was our most enthusiastic supporter!

Eleven years later, we have a national organization. We have 24 people on staff, we occupy a two-story building, and we've won international awards and recognition for our human rights effort. We've stopped jails from being built, and we've been able to make a difference. In just ten years. I want you to know that looking back on it, you know what it looks like? It just looks like a series of miracles. Just miracle after miracle after miracle after miracle.

The only way we were able to get to those miracles was that we believed in what we were doing. When we first started out, we had a closet in the back of the Lawyer's Committee for Civil Rights. When I say closet, I'm not joking. It was literally a closet, that we took the shelves out of, wedged in a desk from my house, moved the tiles, dropped down wires so we could plug things in... That was our office for three years.

I'm thankful to Eva Patterson from the Lawyer's Committee for Civil Rights for giving us that opportunity. We took that closet and a Macintosh SE-30 from my house and our $10,000, and we started announcing that we had a hotline for survivors of police brutality and police misconduct. I think the first week we got one phone call. The second week we got two or three. Within about two months, we were getting three to four phone calls a day from people in the community who had no place else to turn... We were young lawyers and they were calling on us, and we were doing the best that we could.

But we were spending down that little $10,000 very quickly. We got to the place where we literally didn't have any more money. Diana and I looked at each other and we said, "You know what? We'll go on unemployment. We'll do whatever we have to do. We cannot let these people down."

I got on KPFA radio. I said "My name is Van Jones, and I'm working with Bay Area Police Watch. We're running into some trouble right now, but we want you to know, keep calling us. We're going to have to reduce our hours, but we're going to stick in there." The day before we spent our last dime — literally — we got a letter in the mail. An anonymous donation of $50,000.

"Hey! We might be able to keep going!" We took that $50,000, and we decided, you know what? We're going to go after the worst police officer in the Bay Area, a man named Mark Andaya. He had 27 formal complaints against him for racism and brutality. Remember this case? There were five lawsuits against him, and he was still on the police force. We took that money and launched a campaign to get him removed from the San Francisco police department.


Keeping On

We went through hell. We went through three hearings, we went through ups and downs, but at the end of that summer, the San Francisco police department fired Mark Andaya. It was a huge breakthrough. Suddenly we went from being these kids in the closet to being the people who'd really gotten something done in the community. And, we were broke again! Because we forgot to write grants. We're just fighting, just out there, just broke and ignorant — but passionate!

But we'd already had two miracles. We were still there, and we'd gotten this guy who had killed two people out of our community. There was an African-American woman at a prestigious local foundation who'd listened to us on the radio, had seen us on TV, had heard about what we were trying to do. I'd sent her a letter letting her know that we'd like to apply for a grant, but we didn't get a chance to, we'd missed the deadline, and please, please... "Mercy?"

This woman said "You know, I've been working at this foundation for a long time, and I've been waiting for someone to come out of the community, out of the neighborhood, who was really willing to do what it takes to make a difference. I don't have any more discretionary money. But I do have the $40,000 that we've always given to the symphony... And we're going to give it to you."

Miracles.

Now, she no longer works there. But she is well taken care of at another foundation...

We just kept on, and kept on, and kept on. If at any moment we had gotten too rational, if at any moment we'd actually done the math on how many foundations are committed to this thing and that thing, we wouldn't be here at all. You have a dream inside yourself, and it's an impossible dream. That's why the creator gave it to your crazy ass. If it was easy, She'd have given it to somebody else.



So let's talk about your impossible dream. You need some miracles. Good luck with that. But I can give you, as a 10-year veteran, my five counter-intuitive and probably immoral success secrets.
1. Self promote
2. Steal
3. Don't Lie
4. Hate your enemies, but love your rivals.
5. Do less.

Number One, Self Promotion. People say, "Van, you're a shameless self-promoter. We're disgusted with your shameless self-promotion!" And I say, "Au contraire, my friend. I am not a shameless self-promoter. I am a proud self promoter."

Because I'm proud of the work we're doing. I'm proud of the people on our team. I'm proud of the fights we take on. I'm proud there are still people coming out of law school who are willing to take on these crazy crusades. If I don't tell the story, if I don't share the victory, if I don't share the lessons — who will?

We have a simple theory about how we built this organization, and the only thing it requires is you've got to be willing. We call it the three-M conversion: Mobilization, Media, Money. If you're serious about scaling an organization that's small, with a marginal constituency, doing very difficult stuff, you've got to mobilize. You've got to do something! You've got to take on a fight, you've got to help somebody. You've got to get something done. But too many of us stop there, and then we wonder why the support that we need doesn't come.

We get bitter, and we get angry, and we look at the group over there that has two more dollars than we do, and we start making them the enemy, and start this whole competitive thing, and start in-fighting, and it just depresses everybody. Then some poor intern comes to work for you. They see all this drama and all this crazy stuff, and they say "I was just trying to help the poor! I didn't know I was joining an armed faction!"

So let's just de-mystify this whole thing. Do good stuff — mobilize resources, do something — and then, media. Write a press release, think about how to get some coverage. A lot of times, people don't want to cover our stuff? That's fine. Take the photo your damn self! Video cameras are small and cheap. Record your meeting, interview your people... Document your passion.

Document the people that you've helped. Document what you're doing so you can show it to somebody who wasn't there. That's a critical step, and we forget, don't we? We get so passionate about, "The meeting's going to be at 4:00, we've got to have the kids and the pizza..." When we get finished, we're so tired we go home... And there's not one single photograph.

You might've served 10,000 people and don't have one photograph, while the person next door served 20, and has a glossy manual. And you know who you're mad at? Them! You could've had a glossy manual... But you're mad at them, and now we've got drama. Document, and then take that documentation to people who have money.

People say, "Aw, I don't want to deal with the fund-raising. It's not about the money to me." Obviously it's not about the money for you, you're working for a non-profit! But people who have means and who have discretionary income and who have different types of financial instruments want to be helpful, and they want to be engaged — but they don't live in your neighborhood! By definition, they don't. They need some help understanding the situation. That's the media part, the documentation.

You have to get as passionate about talking to the people with as you are talking to the people without. Because we need each other, and you're the bridge person. If you were just desperate and needing of services and help, you wouldn't be working at a not-for-profit. If you were a gazillionaire, you probably also wouldn't be working at a non-profit. So you are the person whose job it is to bring the haves and the have-nots together. And you have to be passionate about that. Yeah, somebody will say "You self promote! You're self-promoting!" Fine, and proudly so! Get that out of your mind as a barrier, and look at the service you can provide by documenting your work.

Number Two, Steal. Steal! I don't mean steal money. Steal ideas! Talk to other people who don't work on your project. If you go to New York to see your friends or your parents, look up the other groups working in a similar area and say hello. If you can't meet with the executive director, that's good, because if the organization is more than five years old the executive director has no idea what's going on anyways.

Talk to the program officer, the deputy director, the receptionist — and steal ideas. And grab onto people that you stole the ideas from. If you go overseas, make sure to visit some of the non-governmental organizations in other countries. It's amazing how many problems have already been solved that you're still stewing in and suffering through.

Our first two years, 100% of all of the paperwork we had for checking in people and interviewing them we'd stolen from a similar project in Los Angeles. I went down there, I'd knocked on their door, I said hello, I told them what we were trying to do... They were very friendly, and said, "This is our paperwork," and I said "Thank you!" I got a Bic pen — remember, I told you we were broke? — and wrote on the top of it, "Bay Area Police Watch." And then we photocopied that thing for two years!

So you've got to be willing to steal. And people love it! People will brag about it, saying "Well you know, we're now the thought leaders in the field. Our model is being replicated." So it's good for them. So I'm not saying anything immoral yet.





Number Three, Don't Lie. This is for real. There is something about the relationship between the not-for-profit sector, the government, the foundations, and the donors that creates a massive incentive to lie — flagrantly, and often.

And it's not just a one-sided thing. The relationship between not-for-profits and foundations is like the relationship between teenagers and parents. You don't really want to tell them everything that's going on, and they don't really want to know. So there's this dance of deceit, shall we say.
"What'd you do this weekend?"
"Oh... Studied! With my friends."

And the parents say "Good! So glad to hear that!" Because they don't want to know. And so what do you say?
"How did the year go?"
"We had success after success! All goals were met, and a good time was had by all."

And what was there left to say? "Good! Good!" They don't want to know about the youth in your program that cussed you out and set the building on fire. They don't want to know that you hired somebody once again who was a complete idiot. They don't want to know, and you don't want to tell them, and therefore we all stay very ignorant. Then the actual innovation curve has flattened out, because nobody's telling the truth about what we're going through any more. We're all self-deceiving and trying to make it look good.

At the Ella Baker Center, we adopted a reporting form that freaked out our board and advisors. It was very simple: highlights, low lights, and lessons learned. We created a discipline in the organization that we would report out the bad stuff. First of all, everybody knows the bad stuff anyway, because the person you fired is talking right now, so it's not like it's not out there. But did you learn anything?

Program officers at foundations, donors, and philanthropists are just inundated with lying, false crap. And they know they're being lied to. If you took all your annual reports and just read them end to end, you'd have to conclude that we're now living in a socialist paradise. Everything's going well, people are being served, and all the children are happy. And then you look at any newspaper, and it's very clear that we might be fudging a bit.

So my experience has been that donors and program officers love to actually get the truth. They don't punish you for it if you learned something. I think if all of us started to confess a little bit more, we would learn a little bit faster.

Number Four: Hate Your Enemies, if you must, but love your rivals — and know the difference. Your enemies are people like Nazis, okay? Your enemies are people who want to do you bodily harm, who hate you, and who are actively plotting your demise, with weapons. Just about everybody else that you don't get along with is probably a rival. They run an organization and you run an organization, or they have a department and you have a department. Or they have a cubicle, and you have a cubicle. And you just don't get along. You don't see eye to eye, there's some jealousy, you have different communication patterns. Their mom was this way, your dad was that way — you're working it out.

But we turn those minor differences into adversarial wars. It's fine to hate your enemies if you must. Jesus, Gandhi, other people would argue with you, but if you insist, fine. Hate your enemies. But most of the people you see every day are not your enemy. I've got emotional scars and damage from being in this work, and I've never even met a Republican! Even with people who fundamentally agree with everything I think, we just fight and hurt each other and say mean things, and think mean thoughts. All the time! That's called the movement. That's called the progressive community, right?

I want to make the case that we should actually love our rivals, and we should develop a discipline about bragging on our rivals. One group doesn't like us very much at all. I started talking about them first at every funder meeting. "I'm so happy to be here. Before I tell you about our work, have you heard about X group? They're doing extraordinary work. They did this last year, they did this this year. If you don't know about them, I want to make sure you know about them before the meeting's over. Now let me tell you about what we're doing..."

I developed the discipline in my own mind that I was going to brag on my rivals. I was going to love them, I was going to learn from them. I was going to try to figure out what it was that I could do differently in the relationship. I want to report that it has made no difference, at all, in the way they treat me. But it's made a tremendous difference in the way that other people view our organization and the way that we view ourselves. We're lighter. Love your rivals.





Number Five, Do Less. When I first came into this movement, we named the organization after a woman named Ella Baker, a civil rights heroine from the sixties. Ella Baker said many, many wise things. One of the things that caught on was something she said in a moment of frustration. Some civil rights workers had been murdered — two Jews and a black — and while they were trying to find these civil rights workers, they kept coming up with body after body after body of black men that had been lynched and drowned down through the ages. The media kept saying, "Well, that's interesting but what about the two white kids?" She got frustrated, and she said in that moment of frustration — and it didn't represent her life, but she said "We who believe in freedom cannot rest. We who believe in freedom cannot rest until all mothers' children are honored."

It's rung down through the decades since she said that. I just drank the Kool-Aid on that. "We who believe in freedom cannot rest. We cannot rest. We cannot rest. We cannot..." And I hurt myself. Physically, emotionally, psychologically, spiritually. I really hurt myself.

July 17, 2000, I had a complete emotional, physical, psychological breakdown. I literally could not get out of bed. I'd gone for years without — I would sleep with my clothes on, and the lights on, books all around me on the bed. I never took a vacation. For years it never occurred to me to take a vacation. Something just popped in my brain. It was almost audible. I was in deep trouble.

I'd been in all these coalition meetings, and it occurred to me that over the past couple years, in every meeting I'd been surrounded by idiots. I had to deal with them, and point out their flaws, and stop them from wreaking havoc, and... I was burning out, and I didn't know it. I had to take about two years of counseling, therapy, learning to go to the gym — things I'd just never done — just to be able to get back to doing this work.

My dad was an alcoholic, so I'd said, "Well I'm not going to do that," but then I was into this workaholism thing. I pulled out of it, and when I came back I saw that it was just everywhere. So what I want to say to you, very clearly, is that you have emotional needs. You have physical needs. You need to get them taken care of outside of this work.

You need to have something outside of this work where you go for re-charging, where you talk to people who don't do this kind of work, so you can keep it in perspective. So when you go into those board meetings and you go into those coalition things, you're coming with something. We who believe in freedom have to rest. We have to rest.


Who We Are

Our country is in a difficult situation now. We're facing difficult days. You're the people who are the reserve strength of the country. You're this nascent, pro-democracy movement trying to revive the best in the United States. It's important that you see yourselves in that way.

We tend in our movement to forget who we are. The legacy that we're carrying out, the shoes that we're standing in, the call that we're answering. Dr. Martin Luther King never gave a speech called "I Have...A Complaint." That wasn't his speech. The brother had a dream. And you have dreams. You have big, beautiful dreams. You will not be able to meet them alone. You need friends, you need solidarity, you need partnership, you need a movement.

But in a difficult period like the one that we're in right now, that's when there's opportunities for she-roes and heroes to step forward. People remember Roosevelt and Churchill and those guys because Hitler made it an awful, hard decade for them, and they rose to that. It's the same with every other hero and she-ro. This is a time for heroes. This is a time for she-ros. I want you to be the people who in the difficult times stood up for the best in this country, who said "We are willing to say that we'll defend America's freedoms." Who will say that the people who want to tear up the Constitution at the first opportunity are not the patriots. The patriots are the people who are willing to defend America's freedoms, the people who are willing to defend people's freedom to marry who they want to, and divorce who they want to.

We're the people who are willing to say America should be number one in the world. But not in war. Not in pollution. Not in incarceration rates. America should be number one in the world in green and clean technology, in solar power, in bio-diesel, in sharing those beautiful things with the world. We should be number one in showing how a rainbow nation — multi-colored, multi-class, multi-hued, multi-language — can come together and fix real problems, and show a rainbow planet how it's done. That's who we should be.

I believe if we do our work in that spirit, with that knowledge, with that commitment, we will build the kind of pro-democracy movement that will get past left and right, past black and white and yellow and every other color, and get back down to the very basics of who we are as people. People who believe, people who stand for something.

People who understand that at the end of the day, when it's all said and done, our love, our hope, our faith, and our commitment, is stronger than a bomb from anybody.

See Also:
20 Wildest Reactions to Obama's Victory
The QuestionAuthority Proposal
Reverend Billy Wants You To Stop Shopping
Is The Net Good For Writers
When Lego Goes To War

Alvin and the Chipmunks launch iMunks.com



It started when the real "David Seville" was facing bankruptcy, and spent his last $100 on a two-speed tape recorder. Soon he'd recorded a novelty record for Christmas that in 1958 sold an amazing 4 million copies in just 7 weeks. And "Alvin and the Chipmunks" were born.

His heirs are determined to keep the franchise going. After the movie was released, the Chipmunks' official web site began pointing visitors to an "iMunks" page for downloading Chipmunk mp3s — and not just songs from their new movie! Now re-located to Amazon.com, it includes nearly 100 songs from their 50-year career, including an 80s cover of the Knack's "Good Girls Don't," a 90s version of the X-Files theme, and their country duets with Tammy Wynette, Waylon Jennings, and Billy Ray Cyrus.



After the death of their original creator in 1972, his son re-launched their career in 1980 with an album called Chipmunk Punk. It included the Chipmunks' covers of songs like My Sharona and Blondie's "Call Me," and they continued their novelty success through the 90s with albums like "Club Chipmunk." (Its dance tracks featured their high-pitched versions of the B-52s' "Love Shack," the BeeGee's "Stayin' Alive," and "Play that Funky Music, Chipmunk.") There's even a version of "Hey, Macarena."

All these songs are available on the iMunks page, but unfortunately, there's a six-song minimum. The Chipmunks' new marketers are offering "silver," "gold," and "platinum" packages where the per-song price drops from $1 apiece to eighty cents.

But what's really newsworthy is that the singing rodents are here at all. In 1996 a lawsuit alleged that Universal Studios had bought a controlling stake in the Chipmunk franchise, but then “undertook the systematic destruction of a family owned and operated business” (according to an article in L.A. Business Journal.) They also reported the suit’s claim that Chipmunk-related revenue dropped 98% under Universal.


But there's a happy ending. Ross Bagdadsarian Jr. — the son of the original "David Seville" — told the business journal that “Everything turned out great in the end," and the big budget movie has already earned back its production costs, grossing over $84 million in its first ten days. The movie's closing credits even show record covers from the Chipmunks' multi-generational career, along with a note applauding Ross Bagdadsarian Sr. for having faith in his singing novelty act. And in the film the address of Dave's apartment is "1958", subtly reminding audiences that the Chipmunks have sung his song for nearly fifty years.

The film opens with the Chipmunks singing Daniel Powter's "You Had a Bad Day," and they later win Dave's loyalty with a doo-wop version of the classic song "Only You (Can Make the World Seem Right)" while standing in the rain. (Which they segue into "Funkytown," complete with choreography.) Despite the movie's flaws, a lot of care went into the choice of songs and the storyline.

It's drawing mixed reviews. (The New York Post declared that "this charm-free atrocity is awful enough to instantly cure any remaining nostalgia for the rodent trio.") After their tree in the forest is whisked away to Los Angeles, the movie launches an obligatory Hollywood sub-plot. The new Chipmunk actors could've been funnier, and Richard Roeper complained that as David Seville, TV's Jason Lee's uses the same acting style he uses on NBC's My Name Is Earl. The "dazed loser" persona may not compliment the computer-animated chipmunks, making it harder to suspend disbelief.

But the script was better than expected, giving each chipmunk a complete character and adding a story about whether they'd find a new home in the city. Toronto reviewer Stephen Cole pointed out that in audiences filled with children, the new movie was the favorite over The Golden Compass, "paws down." And yes, the new chipmunks really do love Christmas. And also, Sponge Bob Square Pants.


Maybe the film-makers are counting on a Christmas-time indulgence for their film about the giddy singing rodents. The Chipmunks' career has always included equal parts music and humor, and the history of American pop culture shows a strange ongoing love for their high-pitched voices.

And for better or worse, they've now found a way to bring Alvin and the Chipmunks into the 21st century.

See Also:
Haunted by Chipmunk Ghosts
Six Freakiest Children's TV Rock Bands
When Kurt Vonnegut Met Sammy Davis Jr.
5 Freaky Muppet Videos
What If Ben Were One of Us?

Santa’s Crimes Against Humanity

Evil Santa

About the author: Robert Anton Wilson was the author of the legendary The Illuminatus! Trilogy. He died earlier this year.

In Burlington, North Carolina in 1990, a group of decent, Christian, hard-working folks who called themselves the Truth Tabernacle Church held a trial featuring the well-known elf Santa Claus as defendant.

They charged Mr. Claus, represented in court by a stuffed dummy, with all sorts of high crimes and misdemeanors. They charged him with paganism. They charged him with perjury for claiming to be Saint Nicholas. They even charged him with encouraging child abuse by appearing in whiskey ads. Worse yet, they found him guilty on all counts, for basically being a jolly old elf — i.e., a pagan god trying to steal Christmas from Christ.



It wasn't the first time Mr. Claus got the boot from a Christian congregation. Pope John XXIII threw the suspiciously merry old clown out of the Roman Catholic church back in the late 1960s. The Jehovah's Witnesses have always denounced Santa for his unsavory pagan past. (They also recognized Christmas trees as phallic symbols long before Freud.) Many fundamentalists believe that all pagan gods are basically one false god — the same demon in different disguises — and they think the disguise is thin in the case of this particular elf. It only takes a minor letter switch, they point out, to reveal Santa Claus as SATAN Claus.

I sort of think the fundies have it right for once. Santa not only has an unsavory pagan ancestry but a rather criminal family history all around. Let me Illuminize you...

As Weston La Barre pointed out a long time ago in his classic Ghost Dance: The Origins of Religion, you can find remnants of a primordial bear-god from the bottom of South America up over North America and over the North Pole and down across most of Europe and Asia. This deity appears in cave paintings from southern France carbon-dated at 30,000 BC. You can find him and her (for this god is bisexual) disguised in Artemis and Arduina and King Arthur, all unmasked via canny detective work by folklorists -- and etymologists, who first spotted the bear-god when they identified the Indo-European root ard, meaning bear. You can track the bear-god in dwindling forms in a hundred fairy tales from all over Europe and Asia. And you can find the rituals of this still-living god among the indigenous tribes of both American continents.

And Santa, like Peter Pan and the Green Man of the spring festivals, and the Court Jester — and (in an odd way) Chaplin's beloved Little Tramp — all have traits of the god that walks like a man and acts nasty sometimes and clownish sometimes and who was ritually killed and eaten by most of our ancestors in the Stone Age, who then became one with their god and thus also became (if the ritual worked) as brave as their god. See Sir James Frazer's The Golden Bough for the gory details.

And I swear the same god-bear tromps and shambles through every page of Joyce's masterpiece of psycho-archeology, Finnegans Wake. If you don't believe me, consult Adaline Glasheen's Third Census of Finnegans Wake.

Most folklorists recognize "the cannibal in the woods" as a humanized relic of the bear-god. The heroine, in 101 tales, meets him while on a mission of mercy. He generally sets the heroine to solve three riddles, and when she succeeds, instead of eating her he becomes her ally and helps her reach her goal. One variation on that became The Silence of the Lambs. Another became Little Red Riding Hood.

What? Hannibal Lecter another of Santa's uncouth family?

Yes, indeedy.

In some rustic parts of Europe and probably in Kansas, Santa retains traces of his carnivorous past. Children are told that if they are "good" all year, Santa will reward them, but if they are "bad" he will EAT THEM ALL UP. Yeah, the Boogie Man , or Bogie, or Pookah, or Puck, are all of somewhat ursine ancestry, although other animal-gods got mixed in sometimes.


As Crazy Old Uncle Ezra wrote in Canto 113, "The gods have not returned. They have never left us."

Jung might state the case thusly: Gods, as archetypes of the genetic human under-soul (or "collective unconscious"), cannot be killed or banished; they always return with a new mask but the same symbolic meaning. Related example: Young ladies in ancient Greece were often seduced or raped by satyrs; in the Arab lands, we note a similar outbreak of randy djinn; it India, it was devas. In the Christian Dark Ages, it began happening to young men, too, especially to monks. They called the lascivious critter an incubus. Now it's happening all around us, and the molesters come from Outer Space. The sex-demon, like the Great Mother and the Shadow and our ursine hero, and the three brothers hunting the dragon (recognize them in Jaws? Spot them doing their Three Stooges gig?) — these archetypal forces always come back under new names. Sir Walter Scott called them "the crew that never rests."

And the bear-god seems wakeful elsewhere. He has appeared prominently in other bits of pop culture — the movies Legends of the Fall and The Edge (both of which, curiously, star Anthony Hopkins, who also starred as Hannibal Lecter) and snuck into Modern Lit 101 not only via Joyce but also via Faulkner's great parable "The Bear." He also pops up to deliver the punch line in Norman Mailer's Why Are We in Vietnam?

We will see more of him, methinks.

Meanwhile, Santa, the Jester/Clown/Fertility God aspect of Father Bear, is doing quite well also, despite getting the bum's rush by some grim, uptight Christers. He has quite successfully stolen Xmas from X and brings pagan lust and pagan cheer to most of us, every year, just when we need it most — in the dead of winter. His beaming face appears everywhere and if we have a minor cultural war going on between those who wish to invoke him via alcohol and those who prefer their invocations per cannabis, we all share the pagan belief, at least for part of a week, that the best way to mark the solstice and the year's dying ashes is to form a loving circle and all get bombed together.

As a pagan myself, I wouldn't have it any other way.

See Also:
Christmas 2.0: Subverting the Holidays With Re-dubbing
Alvin and the Chipmunks Launch iMunks.com
The Secret History of Charlie Brown's Christmas
Strange Sex Laws from Around the World
Robert Anton Wilson: 1932-2007
A Selection of Obscure Robert Anton Wilson Essays

What If Ben Were One of Us?

What If Benjamin Franklin Were One of Us, CNN Editor Asks

Would Ben Franklin be a blogger? It's a serious question pondered by news "gatekeeper" Walter Isaacson, once the managing editor at Time magazine and the chief executive officer at CNN.

Isaacson shared some startling insights about technology and media, both past and present, at a symposium last year at the Smithsonian Institution's Lemelson Center (which studies "invention and innovation.") Isaacson told the audience that Ben Franklin was influenced by both the mechanics of 18th-century printing presses and a fickle American public. But as an afterthought, Isaacson noted that today the internet creates lots of publishers. "It's turned us back to the days when technology allowed low barriers of entry into the information transmission market."

So are we all Ben Franklin? Or, to put it another way — if Ben Franklin were alive today, would he be one of us? The National Archivist of the United States, Allan Weinstein, had suddenly asked the question.


Isaacson, who'd written a 608-page biography of Franklin, insisted that the answer was no — "not a blogger." The distinction was that Franklin "polished every word." But the question was too provocative to leave without more discussion. Ben Franklin would have a web site, Isaacson speculated. "It would be carefully crafted. It would be more like Andrew Sullivan than your normal blogger in pajamas."

"And he would charge!" added archivist Weinstein.

Yes, Ben Franklin would put his content behind a pay wall. "He would definitely charge for it," Isaacson agreed, "because he believed that if you weren't tested by the marketplace..." But then America's National Archivist cut him off with an important observation about the state of the media today.
Look, you have life going in two directions, as far as technology and democracy is concerned.

In one direction, you have the centralization of mass media to a great extent. You still have the three networks getting — not as much of the audience they did, but it's something...

But at the same time you have so many decentralizing elements in the mass media, the bloggers being just one of the major ones, that there's no coherence any longer.

It's wonderful. There's this great blooming, buzzing confusion in the media world which I think is, by and large, an asset to democratization.


In a poignant moment, the National Archivist remembered his childhood in New York, when there were twelve different newspapers. "That dozen became the three or four that we have now, by 1950." And former newsman Isaacson saw an even harsher reality. "Having three newspapers in New York — however you want to count it — that's unusual. In Los Angeles now you're not going to have three, and the Chicago Sun-Times is about to go under."

But ultimately this discussion led to one inescapable conclusion. Maybe inspired by Benjamin Franklin and America's history of a decentralized media, Isaacson made one irrefutable observation about our media landscape today. In the great American city of New Orleans, yes, there's one monopoly newspaper. "But there's about twenty web sites, and probably a thousand bloggers, all attacking the mayor of New Orleans at any given moment!"

The bloggers and other new decentralized media outlets are "a wonderful asset," Isaacson added. And he pointed out that a decentralized media is almost an American tradition. "Ben Franklin arrives in Philadelphia, and it's a town of what — 12,000 people? It's got four newspapers. So what does Ben Franklin do? Get a fifth!"
All the way through our life as a country, almost, you have low barriers of entry to the technology of information. People could become printers, they could have newspapers, they could be pamphleteers, they could — whatever.

When radio hits, something else happens — a monopolization of newspapers... For a variety of reasons — classified ads, everything else — it was better to have one newspaper in town than seven newspapers, so you started seeing consolidation in the newspaper market. And the barrier to entry into the broadcast world was very hard. You couldn't become an NBC just sitting in your pajamas in your attic or something, because there were public airwaves, there were monopolies. There were three networks.

So for a very brief period in our country's history, approximately from 1940 to the year 2000 — for just that sixty-year period — you have a concentration of media where it's a higher barrier to entry. You can't start a newspaper in town, you can't start a TV network.

Then the internet blows all that away, and everybody can start web sites, blogs, email newsletters, that sort of thing, until you'll see us reverting back to the free flow of information that's more democratized.



Would Ben Franklin really fit into all this? Isaacson thinks it's unmistakable. In his book he identifies Franklin as "A successful publisher and consummate networker with an inventive curiosity.

"He would have felt right at home in the information revolution."

See Also:
Is The Net Good For Writers?
Monkey v. Dog v. Wikipedia
The Furious Passions of Norman Mailer
When Cory Doctorow Ruled The World
Neil Gaiman Has Lost His Clothes
How Gay Were the Hardy Boys?

Top 10 Pillars of Led Zeppelin Mythology

Led Zeppelin a long time ago

At London's 02 Arena Monday night, rock gods Led Zeppelin will attempt to recreate the special alchemy that made them one of the most legendary live bands of their era.

Zeppelin were notoriously inconsistent on tour, with Jimmy Page, John Paul Jones and John Bonham often exploring extended jams on band classics to varying effect. I've talked to people who were lucky enough to have seen them live, and the reactions range from "They didn't sound like the records" to "best 20-minute drum solo ever."



There was no doubt, however, that when the band was on they were like nothing else on earth. Zeppelin was doing three-hour-plus shows complete with acoustic sets when Bruce Springsteen was still playing bars in Asbury Park. And unlike contemporaries The Who and Pink Floyd, Zeppelin never used backing tapes or additional musicians, relying instead on sheer audacity, volume and Jones' underrated multi-instrumentalism (the man played everything from the Mellotron to the mandolin to a triple-necked acoustic monstrosity, often while performing the bass lines with his feet on custom bass pedals!).

And while the jury's still out on whether age and the lack of a huge element of their sound (Bonham) will render them incapable of getting a modicum of that magic back, in some ways it doesn't matter. For once again, the mighty Zeppelin have proved their incredible ability to stay relevant.

For those of you who aren't old enough to remember Lester Bangs dissing them in Creem magazine or the magic of bringing home the brown paper bag that held In Through the Out Door (or in an extreme example, being RU Sirius and having your first acid trip while listening to "Dazed and Confused"!), here are ten reasons I believe the mythos of Led Zeppelin remains etched in stone at a time when anything of lasting quality in pop culture seems almost impossible.


10. "Here's to My Sweet Satan … " Although you'd never know it by their slanderous remarks, America's more extreme branches of Christianity (Pentacosts, Baptists) never met a better friend/punching bag than Led Zeppelin. When crackpot preachers started playing rock records backwards in a desperate attempt to scare parents into burning their kids' records (the scene where Kathleen Turner does this to Kirsten Dunst's records in the film The Virgin Suicides shows the unintended hilarious results of this ridiculous act), Led Zeppelin was one of their first targets.

And what better tune to focus their bogeyman search on than "Stairway to Heaven?" The most famous "backwards masking" message meant to turn little Bobby from Buffalo to the side of Beelzebub was the alleged "Here's to my sweet Satan," warbled by Robert Plant.

Of course, the band denied this, and you don't have to be a Grammy-nominated sound engineer to hear what is clearly a big pile o' Christian crap.

9. The Bill Graham Beatdown Before thuggish hip hop was even an art form, let alone an industry, Led Zeppelin had a posse in full effect. Led (no pun intended) by Richard Cole, a coke-fueled maniac whose powers of physical intimidation were only outmatched by Zep's manager Peter Grant, their security was half drug-and-teen-procuring entourage, half security force.

Despite a mutually advantageous relationship in which both parties suckled at the new teat of stadium rock, the muscle behind both Zeppelin and Bill Graham Presents had run afoul of each other, by the very nature of their need for control. In 1977, during a multi-night stint at the Oakland Coliseum, the shit hit the fan.

When a BGP goon vied for a Darwin Award by roughing up the 400-lb Grant's young son backstage, the manager, Cole and Bonzo gave the poor sap and another employee a beatdown that ended in long hospital stays. Graham, ever the entrepreneur, kept charges from being filed long enough for Zep to finish the Oakland Stadium gigs.

8. This Album Has No Title Though commonly known as Led Zeppelin IV, Zep's fourth record not only had no actual title, but failed to display even the band's name on its cover. Instead, the band developed runes that stood for each member – Plant's consisted of a feather within a circle and is supposedly the Feather of Ma'at (the Egyptian goddess of justice and fairness); Jones' was three interlocking ovals; Bonzo's was also three interlocking ovals, and could either be a symbol for "man-wife-child" or the logo for Ballantine beer, depending on whom you ask; Page's (called "Zoso," which has also been used as the album's title by some fans) is the only one created by its bearer, and so its mystical significance remains a mystery.

Obviously, brass at Atlantic Records weren't exactly aroused by the unprecedented lack of identifying reference anywhere on the record. But the band's insistence on this concept formed the basis not only for their reputation as a fiercely anti-commercial artistic force, but also provided much of the mystique that was vital during the band's existence, and crucial to their continued legacy.


7. Led Wallet When Zep fans first heard the unmistakable bashing of John Bonham's drum intro to "Rock and Roll" in a Cadillac ad a couple of years ago, many were heard to utter a groan. But closer analyses of the handling of the catalog of the world's biggest rock band reveals a relatively tasteful restraint.

Especially when you consider that Jimmy Page was once referred to as "Led Wallet" for his unwillingness to part with a pence.

Still, the band has never performed again apart from a handful of mediocre events, all for charity (Live Aid, the Atlantic Records 40th Anniversary). Jack Black was seen in the film "School of Rock" begging Page and Plant to allow Richard Linklater (who was also thwarted from using their songs in his film bearing an actual Zeppelin track name, "Dazed and Confused) to use their music for the soundtrack. They declined.

In fact, use of Zeppelin's music in film has been confined to the films of their pal, Cameron Crowe. Some argue this restraint is excessive – one could imagine the impact of a Zeppelin track in, say, a Scorsese film. It certainly would be nice for the guy not to have to mine the Stones all the time!

6. Peter Grant Led Zeppelin might have been the first rock band to make the business of being in a rock band a … business. Previously, bands like The Beatles would make money only when the number of records sold reached a staggering amount, and even then often under duress. Their contracts favored the record company to an obscene extent.

Zep's ability to establish a revenue producing powerhouse employing record sales, touring and merchandising was largely due to the wiles and weight of its manager, Peter Grant. A former pro wrestler, Grant was the basis for fictitious band manager Ian Faith's cricket bit in This is Spinal Tap. Further evidence of his style of communication can be seen in the new re-release of The Song Remains the Same, where Grant is seen practically ripping the head off a "cunt" who, at a show in Cleveland, failed to stop bootleggers from selling posters.

5. John Bonham Could Zeppelin have continued after its influential drummer died from choking to death on his own vomit after 40 measures of vodka?


Two words prove the perils of such an endeavor, had the band even had the heart and spirit to carry on – Keith Moon.

It's an easy argument to make that The Who's two post-Moon albums (Face Dances and It's Hard) diminish the band's catalog by causing it to sputter to an inglorious end. And while this might owe as much to a fading of Pete Townshend's genius (Zeppelin were more like Queen than The Who in this respect, with Jones making significant contributions throughout the band's career), Moon took more than just the drummer's throne with him to the grave.

He also took a huge part of the band's spirit, and while Moon was slightly more of an extroverted character, the fact that Bonham's simple "fantasy sequence" in The Song Remains the Same (showing such high-concept footage as him urging his cow along the pasture as well as intimate peeks into his home life) is the only one that isn't totally laughable either in concept or execution speaks volumes.

And even though there is something clearly fitting in having his son on the kit, in all respect, there is only one J. Bonham anyone will be thinking about when the band pulls out his showcase, "Moby Dick," as they're expected to.

4. Don Kirschner's Rock Concert with Led Zeppelin It never happened, and when I saw an old TV clip of Deep Purple recently, the wisdom of Zeppelin's avoidance of the medium of television (due both to the limitations of sound quality at the time as well as their desire to control their image and increase their mystique, not easy to do when you're playing for housewives on "The Mike Douglas Show") becomes very clear.

3. The Mud Shark An underground legend that went public with Frank Zappa's toss-off reference to it in "Don't Eat the Yellow Snow" ("destined to take the place of the mud shark in your mythology!"), the story of a young band fucking a groupie with a small shark that had been caught while fishing out the window of Seattle's Edgewater Inn provided a blueprint for debauchery hardly equaled even today.

2. The Devil and Led Zeppelin In the commentary for his film The Man We Want to Hang, dedicated to the art of occult icon Aleister Crowley, filmmaker Kenneth Anger rather sheepishly admits that many of the pieces were seen courtesy of Jimmy Page, who had managed to consistently outbid Anger at auctions of the magician's work.

Then there's Page's acquisition of Crowley's Loch Ness mansion, in which many sinister acts of magick were perpetrated.

The guitarist's obsession with Crowley wasn't shared by the rest of the band, whose interest in the past didn't go much further than Elvis and "The Lord of the Rings." Still, a salacious media didn't hesitate to lump all in together, especially as Zep's fortunes seemed to turn dark toward the end (Plant's car accident in 1975, followed by troubled tours and the death of Plant's son in 1977).

1. What's in a Name? While the story goes that Keith Moon named the then-New Yardbirds "Lead Zeppelin" because he thought they'd go over like a lead balloon (badly), Page and Plant were immediately drawn to the inherent dynamics of light and heavy, which fit into their conversations about where they wanted to band's music to go.

Zeppelin weren't the first heavy rock band (and please don't call them heavy metal!), but they were the first to really understand and exploit the fact that heavy sounds even heavier when paired with lighter influences. Since then, rock bands from Iron Maiden to the Pixies to Nirvana have added new twists to the basic loud-quiet-loud dynamic.

Robert Plant once said the reason he thought people reacted to "Stairway to Heaven" favorably even after hearing it thousands of times is that it starts quietly and steadily builds in complexity and intensity throughout the duration of the song. At the same time, songs like "When the Levee Breaks" and "Kashmir" establish an intensity that never flags, but is still splashed with shades of shadow and light.

And that's the magic of Led Zeppelin, Charlie Brown.

See also:
Then End of Internet Radio?
Six Freakiest Children's TV Rock Bands
The Satanic Cosmology of Jack Chick
Author/Trickster JT LeRoy
Dan The Automator Remixes the Blue Angels

Bush Administration’s Greatest Hits (To Your Face)


Everybody who is paying attention – and who is not in deep denial – knows that there has been an intense and radical assault on civil liberties in the United States during the Bush Administration. In fact, the blows against the Constitution and the Bill of Rights have come on so fast and furious that few of us have been able to absorb them – or to try to get a complete picture of the damage done. Too many outrages tends to fog the mind against recalling the details of each or of any. Indeed, this tactic – relentlessness – is one that has often been employed by authoritarian regimes.



Working on behalf of the incipient QuestionAuthority organization and the MondoGlobo Social Network, Phil Leggiere has put together what may be the only complete timeline that delineates Bush's Greatest Hits against our rights, as well as relevant Supreme Court decisions, and Acts of Congress.

The Bushies started rockin' hard right out of the gate – well before 9/11. Taking office in January, 2001, the administration introduced it's paranoid style — immediately broadening the scope of documents and information that could be classified, and within a couple of months they had the NSA monitoring domestic calls and internet traffic.

We all tend to remember the big hits. The Patriot Act of 2001. The Military Commissions Act of 2006. But how many of us recall deceptively clever little mindfucks like when the FBI and DOD routed around US law by contracting with private companies to provide them with information on US citizens? And how about the time the Justice Department gave the FBI permission to monitor US religious and political groups? And not to be outdone, the Supreme Court showed off it's own chops in 2006, deciding that it was OK for drug-sniffing dogs to search your car when you're stopped for a random traffic violation. (Full disclosure: I've dated a few drug-sniffing dogs in my time!)


You may think that the biggest hits – the most damage – came in the immediate aftermath of 9/11. Perhaps they freaked out — understandably — and it inspired the Bushies to go mental for a few years. Or maybe you would assume that the Bushies would have chilled after his popularity sank to Nixonian levels.

No way! In October, 2006, the Congress, acting in consort with the administration, gave the president the power to – in essence – declare martial law and round up troublemakers. To quote Leggiere, "The 'John Warner Defense Authorization Act' is passed. The act allows a president to declare a public emergency and station US military troops anywhere in America as well as take control of state based national guard units without consent of the governor or other local authorities. The law authorizes presidential deployment of US troops to round-up and detain 'potential terrorists', 'illegal aliens' and 'disorderly' citizenry." And then in May, 2007, El Presidente issued a directive that allowed him or his successor to take charge of all three branches of government in case of "a disaster resulting in extraordinary casualties."
There have been so many awesome hits! I have only scratched the surface here. Collect them all! Check out the timeline here!